Warning: Movie not as awesome as DVD cover appears
Megashark Vs Crocosaurus is one of the lamest movies I've watched in a long while. And for The Queen Of Cheese, that's saying something.
Asylum Productions recycles the surprisingly enjoyable Megashark Vs Giant Octopus storyline, but brings in a giant, prehistoric crocodile instead. I'm all for recycling ideas and churning out B-movies, even C and D movies. But this ended up being an endurance test to sit through the entire thing. That's why I finally cracked open my 1999 bottle of Castillo Del Corzo red wine and had a tall glass while I vowed I would make it to the end of this "movie".
What makes this bad, and not in a good way? Absolutely no love given to the script. It's a mish mash of plot holes, random associations, and completely wooden characters that give you nothing to grab onto. The weak attempts at humor just make it more pathetic. Don't get me wrong. I'm glad they at least tried to put some funny in there, but with a story that discombobulated it just falls flat.
Add to that an ensemble of actors who seem like they could have done so much better than this "movie'. We have Sarah Lieving as the hard nosed military type person first sent to recruit Jaleel White as the lone survivor of the Megashark's attack on a Navy ship, and then Gary Stretch as the less than savory guy who takes advantage of natives to make a buck, and somehow has enough manpower and connections to capture and transport a gigantic Crocosaurus across the ocean. We even get a surprising amount of screen time for poor bastard Robert Picardo, who I loved way back when he was onChina Beach, and am vaguely aware of from Stargate SG1 and Stargate Atlantis. Jaleel White survived child star fame, only to be in something this bad? Gary Stretch has an impressive resume, but this role definitely leaves a black hole in it. Sarah Lieving has a lot of roles under her belt, too. I've seen her in a few, including Beast Of Bray Road, and I know she has more talent than this role showcases.
There's a lot of chemistry amongst the cast, despite the distracted, lackluster script. I suspect a lot of the issues withMegashark Vs Crocosaurusare due to brutal editing to fit a certain time constraint. With the way the scenes jump around with very little connectivity, the way characters are thrust together with casual mentions that they know each other and have prior conflict, and giant plot craters, the actors can only deliver their lines and hang on until the bitter end. There could have been genuine camaraderie among the characters, but any scene that could have made you care is probably on the cutting room floor.
This is soooo much better than the sequel!Let's talk about the special effects. Maybe it was the tall glass of wine, but the graphics weren't that bad, all things considered. But then again, all things considered, the CGI didn't have high standards to live up to. There's plenty of recycled CGI of the Megashark, and some good looking CGI of the Crocosaurus. There's more footage of the creatures than there were inMegaShark Vs Giant Octopus, but Asylum saved some bucks by showing lots of shadows in the water instead of actual creatures. At least a little love was there in the details, even though the details were still as sparse as ever for an Asylum Production.
Megashark Vs Crocosaurus had no plot, managed to waste a lot of actor's talents, and an hour and a half of my time. This one is so bad I won't even buy the DVD if I see it on sale for $5-like I did with a squeal of delight when I spottedMegashark Vs Giant Octopus for that price a few months ago. The poor clerk in Fred Meyer's may never be the same.
Run! Bad career moves are right behind you!After suffering through Your Highnessand it's total lack of funny, when I sat down to watch Ferocious Planet the next day my expectations for anything to ever be good again were way, way down there. That's probably why I found enjoyment in this hollow ripoff of Savage Planet (which didn't have much to inspire with itself), or any other B-movie offerings that came before it.
This wasn't horrible. The graphics on the monsters were pretty good. Not as good as the DVD cover would have you believe, but that's typical. I can forgive less than stellar CGI when there are other elements that keep my interest.
There are a lot of characters to keep track of, at least in the beginning. Naturally they start getting picked off one by one, so we get down to a core group for the majority of the movie pretty fast. John Rhys Davies barely makes it to the first commercial break, but that's just as well. He's better than a movie like this and it makes me wonder if he takes these roles because he thinks they'll be fun, or if he's just that tired.
What really won me over was the well placed humor through the whole movie. Finally a newer movie that gets it! Fine, give me melodrama, give me action, even some blood and gore. But make sure you break it up with some humor.
It's not even over the top humor. It's surprisingly subtle things all throughout. One liners here and there, looks exchanged between the characters, and just simple dialogue between them, as well. It makes you feel a little more at home in this parallel dimension they got themselves thrown into, and makes the threadbare script just a minor annoyance.
Most notable of the cast besides John Rhys Davies is poor bastard Joe Flannigan, of Stargate SG-1 and Stargate Atlantis fame. He's also so much better than a role like this, but he plays it with charm, so you can't help but root for him to survive until the end (and what will surely be an even more pallid sequel). He's the main reason this movie had some warmth, depth, and humor. I look forward to seeing him in what will surely relaunch his career, Spore. Sadly for Mr. Flannigan, it looks like a movie right up my alley, so I'm not holding my breath for a sudden jolt in his fame after it airs.
Overall, Ferocious Planet had a lot more going for it than many movies of its ilk. It had a decent cast, halfway decent writing, well placed humor, and pretty cool looking beasties. It was certainly a better way to spend an afternoon than the last movie I paid good money to see.
Click to enlargeAll of the previews for Your Highness looked so promising. Normally with a comedy that turns out this flat and unfunny, the previews give you fair warning you're about to waste a good $10 on a movie ticket. You'll normally get the same preview over and over, because there just isn't enough material to work with. In the case of Your Highness, there were several different previews, each one very funny.
On top of it, you can typically be forewarned of a lame comedy by the running time. Usually a throwaway movie is barely making it to ninety minutes (including credits). Your Highness has a running time of 1:42. Promising!
Reality can crush the soul. The clever editing for the previews was not there in the movie. I suspect much of it ended up on the cutting room floor, yet still would have done little to save this bland tale of adventure laced with penis jokes, weak attempts at humor about molestation, and desperate uses of the F-bomb to make us laugh. Because anytime you hear "fuck" in a genteel British accent, it's funny, right?
Danny McBride (Pineapple Express ) is credited as one of the main writers. If this is his idea of funny, he needs to go back and sit down at the feet of masters. He needs to watch Monty Python's Quest For The Holy Grail, Mel Brook'sHistory Of The World Part I and Robin Hood: Men In Tights, read Shakespeare, and listen to anything George Carlin. You can tell he was going for anachronistic humor, and the shock value of vulgar humor in a normally polite backdrop. He forgot that humor still needs a framework to be hung from. In a movie format it needs a good storyline and characters we can connect with. Otherwise we just have people saying "fuck" without any context to make it actually funny.
Just like drama needs to break up the pace with some humor to give the audience a chance to breathe, comedy needs to respect it's counterpart. Every time we got close to understanding these characters better, connecting with them on a personal level by learning about their understandably tragic pasts, the script suddenly shies away and goes for a crude remark. There were scenes with Natalie Portman's character, Isabel, where she explains how she became a vengeful (and kickass) knight, but the chance to get to know her is yanked away by the writer's obvious terror of any serious moment somehow making this less of a comedy.
The acting is superb, which makes this all the more painful of a disappointment. James Franco, Natalie Portman, ZooeyDaschenal, even Danny McBride, all give wonderful performances with the steaming pile of boring they were given. The special effects are very cool, and part of what made me want to see this on the big screen. The lush landscapes are gorgeous, giving it that epic feel. Everything is in place to make this an instant classic. It's the writing that kills this.
There are too many story lines going on at once, but that I can forgive. Many movies do that, but still at least let you get to know the characters so you feel sympathetic to their plight. Even the promising, but less than it could have been KrodMandoon And The Flaming Sword Of Fire series understood this. The lead character was likable, and even though the humor was often vulgar, it was well placed, and not the crux of the whole venture. Your Highness' Thadeous, played by Danny McBride, is very difficult to like at the outset. I suspect mostly due to editing towards the end, you don't see this character develop into anyone you wouldn't enjoy seeing hung by dwarves, which makes the ending even harder to swallow.
Overall, this was more soul-crushingly disappointing than anything else. The movie didn't suck. It didn't blow. It just sort of laid there and thought of England.
With Halloween approaching, it is my duty to remind you to keep the fun apace with the frightful for those movie marathons countless of us will indulge in. I can appreciate a good scare, but I need a good laugh along with it, because after all, I am The Queen Of Cheese. I need giggles. I need cheese. I need plots lifted from old black and white sci-fi thrillers that were funny mostly because they were so cornball bad. I need Eight Legged Freaks, and so do you.
We have the small, isolated town of Prosperity where the most popular jock tries to get in the pants of the lady sheriff's hot daughter, young kids ride their bikes everywhere without much concern from their parents, local kooks collect spiders, and trucks drive through with radioactive waste. There's also a mayor trying to revitalize the town after the mining has died by building an eyesore of a mall with the theory that people will just gravitate towards it like a moth to a flame. Reenter the long lost son of one of the mine workers who left over a girl (naturally), who is now the hot lady sheriff. We get painful attempts at him romancing her, lots of scenes with the young son trying to warn the town that spiders are coming to get them, all punctuated by the mildly delusional narrations of the town's only apparent radio broadcaster.
The plot isn't important, and the writers knew it. Instead they focus on the colorful characters populating the town (and soon the cocoons of one ton spiders). They also pay a lighthearted tribute to small town life against the backdrop of wonderfully CGI-ed spiders leaping through the air, skittering after their prey, lunging from trapdoors in the sand, or just lumbering through main street because they're the big bad tarantula that can. The fact the spiders occasionally roar like a lion, mutter obscenities, and giggle fiendishly is all just icing on the cake.
Even if you're afraid of spiders, you need to give this movie a chance. David Arquette (Scream) fits perfectly in his "lovable loser trying to win the girl of his dreams that he lost by punching out her jerk of a boyfriend back in high school and that's why he left without a word and now has a lot of explaining to do" character. His aunt Gladys is divinely played by Eileen Ryan, right down to the cigarette habit that helps save the day. Kari Wuhrer is recovering from Sliders by playing a tough, beautiful, believably intelligent lady raising her two precocious kids single handed, while juggling her career as sheriff. Her eldest daughter is a barely recognizable Scarlett Johansson (before the bleach blond hair and what I think is some cosmetic work) who does a good job being a snotty teenager who still loves her mom, no matter how much she resents still living in this little town. Scott Terra is the little brother obsessed with sci fi movies, and who naturally no one believes because he's a kid who's obsessed with sci fi movies. Rounding out the main characters is Harlan, our conspiracy theory radio broadcaster, played by Doug E. Doug.
Whoever did the casting on this film did it with care and made sure the chemistry fit. This wasn't designed to be a blockbuster, by any means (especially since it was up against Spiderman of all things), so they didn't try to get a "name" to sell it. As a result the large cast all meshed together to form a believable community of small town folk just trying to jab a pitchfork in the belly of that spider trying to get in through the mall door.
The graphics on the spiders are a huge selling point for me, as well as the acting and the writing. Someone did a lot of research to get the variety of spiders right, and tended to the project with the love it deserves. Little things like spraying perfume at a giant spider demands that you see the mandibles frantically waving the offending scent away, or else why bother?
Eight Legged Freaks is one of my 'go to' movies when I need a good laugh. The fact this movie embraces the cheese and giggle factor make me love it all the more. I have pushed this on to friends and coworkers to initiate them into the world of cheese with good results. I now insist those of you who have not experienced this wonderfully cheesy movie treat yourselves now that the Halloween sales are on! For those who already know and love this movie, do as I will, and pull out your copy for a Halloween (or any time) viewing, and giggle away!